Thumb for Action Figure Gallery

My Life as an Action Figure

I still find it hard to sit still. Movies inspired an ardent childhood desire to be a fencer. It became my path to theatre, travel and history scholarship. At seventy-six, I still marvel at how frequent strenuous activity preserves not only the body but, even more, one’s state of mind.
In the Coast Guard in the 1970s I served “two years before the mast” on a slow boat to China – literally – and never quite got the salt out. Visits on board HMS Victory, USS Constitution and the clipper Cutty Sark, plus thorough soaking in Patrick O’Brian’s sea novels, haven’t done it. I still hope to crew on a tall ship some day.
At left, 1984, I’m swinging into a “live prologue” with the Ann Arbor Sword Club arranged for the silent film “Three Musketeers” by Russ Collins at Ann Arbor’s Michigan Theatre. Before that, I had also done combat there before the silent “Robin Hood” with the local SCA chapter (of which more, below center).
In 2022 I’m still fencing, modern and historical, four days a week. Most of the links below are to organizations and sources, but you can see my own SCA calligraphy and illumination, publications, armor and woodworking via the red buttons under “Medievalism.” 

Mobirise Web Page Maker
Action figure content 1

Modern Fencing

Teaching an Ann Arbor Sword Club (AASC) class. Inset: at Ascalon tourney, Columbus, 2022 

I started in 1963 in Sault Ste. Marie with M. John D. Bailey, became his assistant coach at age 17 and have not quit for more than a couple of years since. Between 1973 and 1985 I competed intensely, including five trips to the Nationals. Now I teach and fence at the Ann Arbor Sword Club (which I co-founded in 1977) and the Ann Arbor YMCA. I returned to competition in 2005, 2019 and again, post-Covid, in 2022.

Action figure content 2

Medievalism

At Saline Celtic Festival with favorite opponent, Matthew Stewart-Fulton (r).

Fencing led me to the Society for Creative Anachronism, which re-creates medieval activities from armored combat to courtly revelry. It’s not re-enactment; there are no “authenticity” rules. Even so, a tremendous amount of research and painstaking re-creation is done by many individuals. Earlier I was active in manuscript illumination, event design and co-founding the Ann Arbor chapter, Cynnabar. Since 1995, mostly armored and rapier combat. The SCA led me to medieval scholarship. 

Action figure content 3

Historical European Martial Arts (HEMA)

Upper left: Dr. Forgeng. Upper right: Teaching at the first Michigan HEMA gathering, Spar-B-Q, hosted by A2 Sword Club. Bottom: the Michigan HEMA community comes to Ann Arbor.

Dr. Jeffrey Forgeng, now arms curator of the Higgins Collection (Worcester Museum of Art) came to Ann Arbor in the mid 1990s with his historical swordplay research well begun. Introducing it to us on a scholarly basis, he brought the Ann Arbor Sword Club in on the ground floor of what is now a worldwide movement. Since then, his well-published translations of medieval “fechtbücher” make him a top authority for HEMA. And the Sword Club has become an exemplar in Michigan’s HEMA world. In 2014 we helped with Dr. Forgeng’s formidable 2014 presentation on fechtbücher at the Detroit Institute of Arts.